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Microphones

Vocal Microphones

Audix OM3

The OM3 is a dynamic vocal microphone used for a wide variety of live, home and studio applications. This mic has clear and accurate sound reproduction, resistance to feedback and ability to handle very high SPLs without distortion.

Up to 3 Days: £5

Up to 1 Week: £10

Audix OM5

The OM5 is made with an extremely tight and uniformly controlled hypercardioid polar pattern which isolates the vocals from the rest of the instruments on stage or in a studio.

Up to 3 Days: £5

Up to 1 Week: £10

Audix OM7

The OM7 is used by professional sound companies, front of house and mixing engineers as well as high profile fixed installations. The OM7 provides unprecedented gain before feedback on concert level stages without sacrificing sound quality.

Up to 3 Days: £8

Up to 1 Week: £12

AKG D5

The D5 professional dynamic vocal microphone for lead and backing vocals delivers a powerful sound even on the noisiest stage. Its frequency-independent supercardioid polar pattern ensures maximum gain before feedback.

Up to 3 Days: £5

Up to 1 Week: £10

Sennheiser E835

Sennheiser are the microphones of choice for many professional vocalists and there’s a good reason for that. Superior sound quality and a rugged construction mean this mic will never let you down.

Up to 3 Days: £5

Up to 1 Week: £10

Shure SM58

Shure SM58’s are great for live male rock vocals. A must in any set up, these microphones are considered industry standard.

Up to 3 Days: £5

Up to 1 Week: £10

Shure Beta 58

Shure Beta 58’s are great for live vocals. A must in any set up, these microphones are considered industry standard.

Up to 3 Days: £8

Up to 1 Week: £12

Instrument Microphones

Shure SM57

Shure SM57’s have a slightly narrower pickup pattern than SM58’s and work well with snare drums and guitar cabinets where minimal spill for other instruments is required.

Up to 3 Days: £5

Up to 1 Week: £10

Sennheiser E609

Super-cardioid silver instrument microphone designed for miking guitar cabs face-on and extremely close to the source. Provides isolation from other onstage signals. Also suitable for miking drums, especially toms.

Up to 3 Days: £5

Up to 1 Week: £10

Audix F2

The F2 dynamic instrument microphone is best used for miking instruments requiring mid-bass and mid-high reproduction in live and studio applications. Its hypercardioid pick-up pattern helps to minimize feedback and isolate the instrument from ambient sound coming from the room or other instruments on stage.

Up to 3 Days: £5

Up to 1 Week: £10

Audix F5

The F5 dynamic instrument microphone is an ideal choice for snare, toms, percussion and acoustic instruments in live and studio applications. A hypercardioid pick-up pattern helps to minimize feedback and isolate the instrument from ambient sound.

Up to 3 Days: £5

Up to 1 Week: £10

Audix F6

The F6 dynamic instrument microphone is designed for instruments requiring bass reproduction in live and studio applications. The F6’s hypercardioid pick-up pattern helps to minimise feedback and isolate the instrument from ambient sounds on stage.

Up to 3 Days: £5

Up to 1 Week: £10

Audix F9

This F9 all-purpose pencil condenser microphone is suited for instruments requiring detailed reproduction in mid-high and extended high end frequency ranges in live and studio applications. A wide cardioid pick-up pattern paired with high sensitivity, allows close, overhead and distance miking.

Up to 3 Days: £8

Up to 1 Week: £12

Audix D6

The D6 is used for stage, studio and broadcast applications. Designed with a cardioid pickup pattern for isolation and feedback control, the D6 is equipped with a VLM™ diaphragm for natural, accurate sound reproduction.

Up to 3 Days: £8

Up to 1 Week: £12

AKG C418

Miniature hypercardioid condenser clip-on microphone with shock mounted capsule; ideal for miking drums and percussions; microphone arm with additional angle joint. The C418 miniature condenser clip-on microphone has a specifically tailored frequency response for drum and percussion miking applications and is an alternative to the C419 for loud trumpets. Its hypercardioid polar pattern rejects leakage from nearby instruments. A solid clamp makes it easy to fix the microphone securely on the instrument.

Up to 3 Days: £10

Up to 1 Week: £15

Audix FP7 Drum Mics

The FP7 Drum Pack contains a combination of f2, f5 and f6 dynamic microphones and the f9 condenser for overheads. The f5 is tuned for snare drum and can be used as well for bongos, timbales, guitar cabinets and acoustic instruments; the f2 dynamic microphone is ideally suited for rack and floor toms, congas, djembe, bongos, timbales, brass and woodwind instruments. The f6, with its extended bass response, is designed for kick drum, bass cabinets, cajon and other low frequency instruments. The f9 condenser microphone is intended for cymbals and hi-hat. 

Up to 3 Days: £40

Up to 1 Week: £50

Audix FP5 Drum Mics

The FP5 Drum Pack contains a combination of f2, f5 and f6 dynamic microphones. The f5 is tuned for snare drum and can be used as well for bongos, timbales, guitar cabinets and acoustic instruments; the f2 is ideally suited for rack and floor toms, congas, djembe, bongos, timbales, brass and woodwind instruments. The f6 dynamic microphone, with its extended bass response, is designed for kick drum, bass cabinets, cajon and other low frequency instruments.

Up to 3 Days: £30

Up to 1 Week: £40

Wireless Microphones

Sennheiser EW300 Lapel Wireless Microphone

EW300 wireless microphone with lapel mic or headset mic and receiver. These work great for conferences and corporate events as well as outdoor presentations. These can be used on the open frequency range of 863.000-865.000 or the shared licensed frequency range 830.000-832.000.

Up to 3 Days: £30

Up to 1 Week: £50

Sennheiser EW300 Handheld Wireless Microphone

The G2 range of wireless microphones are used across the world to provide top quality sound time after time. These come individually or as a set of 4 with a ASA aerial splitter and directional aerials to provide extra coverage. These can be used on the open frequency range of 863.000-865.000 or the shared licensed frequency range 830.000-832.000.

Up to 3 Days: £30

Up to 1 Week: £50

JTS R4 Headset Mic Systems

The system is designed with JTS newest generation wireless technology. To cope with the squeezed radio spectrum the system provides more compatible channels within limited bandwidth. The R-4 is a 4 channel system in a 19” one U case. Antenna outputs and AC power supply are designed to be cascaded. It provides great convenience to installation.

Comes in sets of 4. See theatre packages

In Ear Monitors

Sennheiser EW300 G3 IEM Receiver / Transmitter

Industry standard in ear monitoring system by Sennheiser. Includes a body pack, ear buds and receiver. Runs on channel 38. Great for professional musicians. 

Up to 3 Days: £40

Up to 1 Week: £60